SOUND IDENTITY
La production d'un son sur le trombone. Masterclass et cours en ligne.
Your Instructor
Evolution
After studying the classical piano, the guitar and harmony, Phil Abraham was seduced by jazz and the trombone, on which he is self-taught. His stylistic evolution is parallel to the history of jazz, and even if he is a modern soloist today, he has worked with a wide variety of great musicians.
Phil has taken part in more than sixty albums, eleven with his own group, with which he won many prizes. He has often been invited in big bands as a soloist. He took part in many recordings and concerts of the big band of the Belgian Radio (BRT). Phil Abraham also devotes his career to teaching, training courses and master-classes. He was a teacher of vocal improvisation in Antwerp and Brussels. He is now a jazz and trombone teacher at the Brussels Royal Conservatory and at the National Conservatory in Douai (France).
Has played with
Michel PETRUCCIANI, Charles AZNAVOUR, Claude NOUGARO, Clark TERRY, Hal SINGER, Toots THIELEMANS, Klaus IGNATZEK, John SURMAN, Art FARMER, Michel HERR, Andy EMLER, Paolo FRESU, John ENGELS, Dusko GOYKOVICH, Benny BAILEY, Bart VAN LIER, Henri TEXIER, Klaus WEISS, Deborah BROWN, Maria SCHNEIDER, John LEWIS, Lou BENNETT, Claudio RODITI, William SHELLER, Didier LOCKWOOD, Dee Dee BRIDGEWATER, Michel LEGRAND, Lucky PETERSON, Mino CINELU ...
Awards
1988 : first Prize at the International Jazz Contest in Sorgues (France)
1989 : Prize of the Best Soloist at the "Concours de la Défense" in Paris
1998 : chosen as the best Belgian and European trombone player by the listeners of the Belgian radio and the Belgian critics
1999 : elected once again the best Belgian and European jazz trombonist
2000 : second Prize at the International Contest of jazz soloists in Monaco.
His Quartet record "Stapler" (Igloo IGL 091), with Michel HERR, Jean-Louis RASSINFOSSE and Stéphane GALLAND was chosen as the CD of the month by the Belgian jazz magazine "Jazz In Time". His CD "En Public" (Lyrae records, LY9703007) was selected as the CD of the month by the French "Jazz Magazine" in October '97.
Events
Was chosen by the Belgian Radio (BRT) to represent Belgium in the Big Band of the European Broadcasting Union in Strasbourg (France). Was invited in 1994 as a soloist at the Moscow Concert Hall for a TV concert with the Moscow Big Band. Was the first Belgian Jazzman to be a member of the "Orchestre National de Jazz" in France, that he joined for 3 years with Laurent CUGNY, then stayed with Didier LEVALLET for additional 3 years. Replaced Bob BROOKMEYER in Michel PETRUCCIANI sextet, with Victor JONES (drs), Anthony JACKSON (bass), Flavio BOLTRO (tp) and Stefano DI BATTISTA (sax). Participated (1998) in the album "Jazznavour" of the French singer Charles AZNAVOUR, in which he played all the trombone parts. Other participants include Jacky TERRASSON (p), André CECCARELLI (drs), Remy VIGNOLO (b). Arrangements are by Pierre DREVET (tp) and there are other celebrity guests like Michel PETRUCCIANI, Diane REEVES, Richard GALLIANO and Eddy LOUIS ...
Was a member of the International Dusko GOYKOVICH Big Band (February 2004) for a big TV-concert in Belgrade supported by the Minister of Culture.
Has developped a new jazz trombone for the Courtois Company, the Xtreme AC 430T model. Check this professional trombone here
Was invited in Seattle in May 2013 for concerts and master-classes, recorded a new album in New York in February 2014 with Sylvain Luc (g), Hein Van de Geyn (cb) and Mino Cinelu (perc) + Bria Skonberg (tp) - guest, won an award in Los Angeles in 2017 and went there for master classes.
Qu'allez-vous apprendre pendant ce cours? - Wat ga je leren tijdens deze cursus?
Tijdens deze masterclass 'Sound Identity' zal je leren hoe je verschillende toonvariaties kan spelen op je instrument en hoe je deze kan gebruiken om je eigen unieke geluid te creëren. Phil Abraham zal verschillende technieken en speelstijlen demonstreren en uitleggen hoe je deze kan toepassen in je eigen spel.
Pendant cette masterclass "Sound Identity", vous apprendrez comment jouer différentes variations de ton sur votre instrument et comment les utiliser pour créer votre propre identité sonore unique. Phil Abraham démontrera différentes techniques et styles de jeu, et expliquera comment les appliquer à votre propre jeu.
A qui s'adresse ce cours? - Voor wie is deze cursus bedoeld?
Deze masterclass is bedoeld voor alle muzikanten die hun geluid willen verbeteren en hun eigen sound identity willen ontwikkelen. Of je nu een beginner bent of een ervaren muzikant, deze cursus zal je helpen om je techniek en speelstijl te verfijnen en je muzikale expressie te vergroten.
Cette masterclass est destinée à tous les musiciens qui souhaitent améliorer leur son et développer leur propre identité sonore. Que vous soyez débutant ou musicien expérimenté, ce cours vous aidera à affiner votre technique et votre style de jeu, et à accroître votre expression musicale.
Quelle connaissance préalable est nécessaire? - Welke voorkennis is er nodig?
Een basisbegrip van muziektheorie en instrumentale techniek is nuttig voor deze masterclass, maar het is niet vereist. Phil Abraham zal de technieken op een begrijpelijke manier uitleggen en demonstreren, zodat iedereen deze kan begrijpen en toepassen.
Une compréhension de base de la théorie musicale et de la technique instrumentale est utile pour cette masterclass, mais elle n'est pas nécessaire. Phil Abraham expliquera et démontrera les techniques de manière compréhensible, de sorte que tout le monde puisse les comprendre et les appliquer.
Quels sont les objectifs de ce cours? - Wat zijn de doelstellingen van deze cursus?
Het doel van deze masterclass is om muzikanten te helpen hun eigen sound identity te ontwikkelen door het beheersen van verschillende toonvariaties. Je zal leren hoe je verschillende technieken kan gebruiken om je geluid te verfijnen en je eigen persoonlijke stijl te creëren. Door middel van deze cursus zal je in staat zijn om je muzikale expressie te vergroten en je spel te verbeteren.
Le but de cette masterclass est d'aider les musiciens à développer leur propre identité sonore en maîtrisant différentes variations de ton. Vous apprendrez comment utiliser différentes techniques pour affiner votre son et créer votre propre style personnel. Grâce à ce cours, vous serez en mesure d'accroître votre expression musicale et d'améliorer votre jeu.
Course Curriculum
-
PreviewIntroduction (4:16)
-
PreviewSI_2 Attacks - tu (0:36)
-
StartSI_3 lu (0:45)
-
StartSI_4 hu (no tongue) (0:48)
-
StartSI_5 tlu = tu + lu (1:56)
-
StartSI_6 ku (1:56)
-
StartSI_7 du - dl - lu (6:50)
-
StartSI_8 harmonics use (1:09)
-
StartSI_9 slide use (0:45)
-
PreviewSI_10 Durations - neutral (no effect) (0:20)
-
StartSI_11 vibrato (2:36)
-
StartSI_12 shake (1:16)
-
StartSI_13 growl (1:03)
-
StartSI_14 buzz (0:47)
-
StartSI_15 didgeridoo effect (1:00)
-
StartSI_16 triple sound (singing) (2:30)
-
StartSI_17 ghost note (1:14)
-
PreviewSI_18 Falls - neutral (no effect) (0:17)
-
StartSI_19 harmonics use (0:14)
-
StartSI_20 slide use (0:21)
-
StartSI_21 both slide and harmonics use (0:33)
-
StartSI_22 -fff : quit mouthpiece during blowing (0:23)
-
StartSI_23 fup:slap (1:29)
-
PreviewSI_24 Conclusion : exercise on « In a Mellow Tone » (1:20)
-
StartPhil Abraham Sound Identity Full Masterclass (32:40)